alyssumblog

alyssumblog

Thursday, September 18, 2014

Jesus on the Wall



It was the fragrance of a bar of soap called Bee & Flower Sandalwood that transported me back forty years, to  childhood days spent at my Grandpa’s magical house at 3965 Sacramento Street in San Francisco.       As I unwrapped the soap I wondered would it be earthy and orange in color like I remembered? 
            Yes, it was. 
            The orange soap contrasted the forest green porcelain pedestal sink in the house’s bathroom, so vivid in my memory.  In front of the sink, a textured clear glass window faced a square light well— a narrow separation between this house and the one next door.  A family of pigeons had chosen the sheltered light well to establish their home; thus, their rhythmic coo-ing could be heard through the window as could the voices of the neighbors whose window faced ours.  Often I was startled by the sudden appearance of pigeons sputtering up out of the light well, batting their wings frantically, and making that funny squeaking sound as they rose up into the sky overhead.
            My memory then moved beyond the special bathroom to the real adventure during one particular visit to Grandpa’s.
            He had invited all of his five grandchildren—my three-year-old brother, me, and cousins Tes, Angie, and Lydia* to stay over at the house. We shared the bedroom located across the hall
 from the bathroom.  It was large enough to fit a four-poster double bed, a solid oak highboy chest of drawers next to the corner window; and next to the bed, a vanity of quarter sawn oak veneers, backed with a round mirror framed in round light bulbs.  The large double-hung window in the far corner had sheer white curtains hanging half open.  To its left, the narrow door to a closet cluttered with the belongings of Manong Sarmiento, a former renter, even contained a small shaving sink the size of a salad bowl.  His razor, a can of shaving cream, and comb sat on a narrow wooden shelf above the sink waiting for his return in the summertime after picking strawberries in Delano.  Cedar planks lay on top of the painted softwood floor, giving off a pungent odor.  Imagine a mix of the wood and the residual pipe tobacco smell on Manong Sarmiento’s wool shirts hanging on silver hooks along the back of the closet; such was the aroma of this magical closet space in the bedroom the cousins were to share tonight.
            “Dibs on the bed!” declared Tes.  She grabbed on to one of the posts, and threw her leg over onto the bed set high off the ground on a stained pine frame. The deluxe Serta mattress stacked atop a squeaky box spring made the bed even higher.   She motioned the next two eldest, Angie and me to follow.  Lydia and my brother slept low to the ground, on narrow green army cots placed at the foot of the bed on the floor.  A twenty-inch Zenith TV set, the largest one in the house, sat on top of the oak highboy.  The antennas—called “rabbit ears” because of the way they sat in a “V” on top of the television, scraped against the chalk white ceiling, leaving gray scratch marks on the water-stained paint.
            “Lydia, put it on Channel 5,” directed Tes. ‘Song of Bernadette’ is on tonight. We’re gonna see a miracle happen in the movie!”
            “Oh, Angie, you’ll like this movie since you’re the nut in the family who wants to be a nun when she grows up,” I poked.
            With lights off and just the glow of the black and white screen to illuminate the room, all the kids sat up in their beds watching “Song of Bernadette”.  Angie, nestled between Tes and me, began to cry the first time Bernadette saw the vision of The Lady in the grotto.
            “Oh-h, that’s the Virgin Mary.  She’s so beautiful,” Angie whispered in wonder.
            “Angie, your eyes are as wide as Bernadette’s.  You’d think you’re the one seeing the miracle.”
            “Yeah, ‘Sister’ Angie’,” added Tes. “The only thing that you have in common is that your feet probably smell as bad as that garbage grotto where Bernadette saw The Lady!”
             “Sh-h-h.  Let’s watch the movie now.  Besides, we’d better not make fun.  It’s a sin, isn’t it?” I warned, half joking, half concerned that the three older ones might have to go to confession before church on Sunday.  Everyone became quiet and engrossed in “Song of Bernadette” as news of Bernadette’s vision spread throughout Lourdes.    In the entire bedroom the only sound that could be heard was the occasional crackling of the picture tubes inside of the television.
            Suddenly, my little brother screamed. He pointed to the eighteen-inch crucifix hanging on the wall over his head.  “Look!  Jesus’ face is all lit up! 
            “Hey, look at the Crown of Thorns on His head!  Real blood is dripping from it.  Touch it and see if you get blood on your finger,” Lydia added.
            “No-o-o!”   My brother leapt off his cot and climbed into the bed with me.  Lydia laughed but she too moved away from the cross to the other side of the room.  At this all the kids looked more intently toward the cross.  Sure enough, there was a circle of light surrounding Jesus’ face.
            “Is it a miracle?  Is Jesus alive?” asked Angie in awe. She stuffed her fist into her mouth stifling her wailing like a cat on the fence.  Tears welled up in her frightened eyes. 
            Tes called for calm. “Angie, shut up and stop that blubbering!  Your stupid hysteria will make everyone panic.  Gee whiz!   Lisa, you’re eight-years-old, and the second oldest.  Go turn on the light.  There must be a logical explanation.”
            I did not want to get out of bed, but I knew that if I didn’t, either Tes would smack Angie and there would be big drama, or the little ones would be scared all night from having to gaze at Jesus’ glowing face in the darkness.  I turned on the light and everyone quieted down. 
            “Okay, we’ve seen enough miracles for tonight.  Turn off the TV.  Get to sleep you guys.”
            A strange tension remained in the room.  As we lay down in the beds and cots, Lydia pointed to the cross on the wall.  “Look!  The circle of light is still around the Savior’s face!”
            “That’s enough, Lydia!” chastised Tes.  “Close your eyes and stop looking at the crucifix, you understand?  Or something really scary will happen to you!”
            Pouting, Lydia puffed up the cushion under her head and pulled the blanket over herself as she lay down on the cot.  My brother copied her and lay down too.  He looked at me but I just smiled at him reassuringly, and comforted by that look, he stuck his thumb into his mouth.
            I whispered, “What do you think’s going on, Tes? Maybe we should stay up and keep an eye on the crucifix tonight.”
            “Okay, good.  You go ahead and rest first, Lisa.  Then, when I get sleepy, I’ll wake you up and you can take a shift.”
            For a time, both of us sat up against the headboard of the huge bed, hugging our knees, eyes blinking sleepily as we watched the light shine onto Jesus’ body nailed to the simple oak cross.
            “That’s a big ol’ cross,” said Tes, moving her hands apart from each other vertically until they matched the eighteen-inch length of the cross hanging on the wall above my brother’s cot.  I nodded in agreement and lay down.  In minutes, I was asleep, while Tes held vigil. 
            I was startled awake when Tes suddenly shook me, pointing to the Crucifix on the wall.  I gasped.  The light beam had moved.  It was over to the right of Jesus’ face.  Then, all at once we understood. 
            Tes looked toward the window opposite the wall.  Now, high up in the sky, a full moon cast brightness against the wall where the crucifix hung.  Gathering clouds floated in front of it every now and then, partially blocking its light.  Earlier, when the sky had been clearer, the moon was in position to rest moonbeams right on the face of Jesus on the wall.  The subdued but constant focus of light had seemed to appear from nowhere in particular.
            Tes and I began to giggle in the quiet darkness, while the younger kids snored in deep slumber around them.  Angie, in the bed between them, clasped her hands together in a prayer position.  Tes rolled her eyes at the sight of her pious younger sister and jumped down from the bed to pull the window shade down.
            “Well, cousin, let’s keep the mystery of tonight’s “miracle” to ourselves, shall we?” offered Tes.
            “Amen to that, ‘Bernadette.’”




*names changed





Thursday, August 21, 2014

Beyond Lumpia, Pansit, and Seven Manangs Wild




In this lovely collection, Beyond Lumpia, Pansit, and Seven Manangs Wild, (Eastwind Books, 2014) you'll find two of my pieces: "Agtawid" (to Inherit) and "Out the Back Door."

Wednesday, August 20, 2014

Deterior

I can’t let you know the level of hurt my heart felt, you, shoving me aside. People who know you ask what happened. Didn't say a word. Didn't need to. They call you names. I don't answer. Don't need to.
You want me to be the ghostwriter of a ghost?
/’gōst/= one who occupies the body of a living person in order to complete itself.)

Ghostly declarations:

--you can always just say no to me.


--make that story fit.


--No!keep my piece as is.


--keep the version we originally gave you.



Ah, you zigzagged to a new we, but where was I now?

No, there is no conversing with you about the level of my hurt, for my mistrust of you is fully blossomed and mature. Your actions. This result.
In my corner I began to see the situation very clearly given my view from here—stuffed into a corner – your presence like an unskilled putty knife jabbing me in to the mitre. My view broadened out in a wide V. I know what you're thinking. And now I was able to view you and your imaginary players, your thrashing mind, your flailing birdie hands, working their surroundings. For a time, I doubled over wondering how you could burn a bridge with us, we who share some sweet history. You’ve done this with so-and-so, and so-and-so, and so-and-so.
I do know their names. I looked the other way. I kept the faith. Alas, add my name. A bridge named the Golden Deteriorate.
You’re no bridge builder. You’re more like a skipping stone- a pebble --and only on your best days. You know only one-way trips after which, you sink down to the murky waters, tumbling around at the whim of the tides, unable to see for all the dirt your rolling around kicks up.
You thrash. You roll. You’re rubble.

And

You-have-no-right-to-muddy-my-clear-waters.

Thank you for the nauseating journey for me to experience this valuable lesson. Wait! Have you read this far? Do you think I’m thanking... you?

Wednesday, August 13, 2014

Writing inspiration from CBS This Morning's interview of Matthew Weiner:

"You know, I wrote the pilot for "Mad Men" fourteen years ago, and it got me my job on "The Sopranos". And then I wrote this movie during the first two seasons of "The Sopranos" and then I got to do "Mad Men" like three or four years after that. So, I have this continuum of not being anywhere near when I write something to when I get to make something. So for me, you think of a story, you try to be a storyteller, and you know, is it a movie? Is it a TV show? I don't even know; I'm just happy to get to work."

He writes standing up talking. Huh.

Saturday, August 9, 2014

21-day Purification

I percolate my creations in solitude and silence a lot. When I say I don't get out much, I'm really revealing that I don't get here, to this space, very much. I have come to realize that this has to do with Trust. And don't say, Trust Issues. Trust in my own voice and the prerogative to speak my truths.
Almost every word in the previous sentence is difficult for me to embrace.
...my own voice
...my prerogative (just cuz you can spell it don't mean you can DO it.)
...speak
...my truth(s)

As someone who has been in the field of higher education since the mid-80s, I predicate my life around the semester system. During summer break--five to eleven weeks long-- I always make it a point to engage in an activity for my own personal growth. Last year I attended the Mendocino Coast Writers Conference. Three writer friends and I rented a cool house in Fort Bragg and lived the idyllic writer's life of walking to workshops a quarter mile away, immersing ourselves in the process out in fresh air, feasting communally on simple but healthy food brought in to the campus where we wrote. And in the evening, claiming a corner in our house, we drafted out the inspirations of that day's sessions.

This summer my growth project was more inspired by the yoga/qi gong practice that I have been doing for almost ten years. I did a 21-day purification (cleanse).

But before that, something had happened which in a way made the cleanse a kind of emotional one as well. After having worked on a manuscript project for over one year, the collaboration turned toxic. I didn't see it coming but then all of a sudden...

I will not mention this again. I will only tell you that the disappointment caused a level of dis-ease that literally made me ill.

This occurrence confirmed the perfect moment to start my 21-days.

I completed it in a lot of solitude and silence. The point is, I took an action. And that's how it relates back to the writing. And to truth.

Monday, October 7, 2013

at the Asian Art Museum - Invocation and Processional for "Farms to Tables: Filipinos Then and Now"- October 6, 2013

RENEW * CELEBRATE * BEAR FRUIT... These are the intentions we put forward as we proceed to the events of today.
We invite you to create Renewal through the simple sound of AH, the sound which awakens the fifth chakra--the bridge--between our hearts and minds. Our chosen melody echoes the response in "Salidumay" in which gratitude is expressed in the two short phrases. Let us collectively sound the voice of our soul, peaceful within and without.
Today, may we collectively Celebrate our connections as a people, in the divine consciousness encompassed by our awareness of Kapwa, a way of living which embodies a oneness with nature and with the earth. Let us smile at the simplicity and wisdom in our opening ritual today, beginning with the offering of precious fruits to the altar inside Samsung Hall. In doing so, may we renew our conversation with Mother Earth in preparation for Farms to Tables: Filipino-Americans, Then and Now, and honor those who shaped the farm labor movement and influenced our rich culinary traditions. And, through the offering of fruits, may we be reminded of our generous ability to Give as well as abundantly Receive: a further reminder of Oneself in the other -- of Kapwa. We wish All a day of delightful celebration of the beauty of our culture. Renew * Celebrate * Bear Fruit. WELCOME !

Monday, July 29, 2013

Mendocino Coast Writers Conference- July 25-27, 2013

Upon returning from MCWC this year, I realize that I am not very generous with entries on my own blog.  The reason I don't post my current work is that I am often revising pieces for submission, and many of these publications want never-before published works.  In the past I've been told that this includes NOT posting it on my blog before.  On the other hand, how are people interested in my work to get a taste?
At the Mendocino Coast Writers Conference this year, I worked with Judith Barrington in her Memoir Group.  Something she said resonated deeply with me:

Let your reader see your journey of discovery.  You can move into scenes about what your journals revealed.

Part of my journey of storytelling always includes recognition that my ancestors' wisdom and guidance stay with me at all times.  "Agtawid" was one of the pieces I workshopped last week.

Please let me know how you enjoy it. And welcome to my journey of discovery. (hi, Margit!)



Agtawid
Lessons from paternal grandparents-the Ilocano side
            In the summer of 1976, my junior year in college, I moved into my paternal
 grandparents’ house. I had been awarded a scholarship to attend Osaka City University in Japan for two months. But the program would not begin until July.  In a student’s world, the barely $1,500 remaining in my bank account felt like an inheritance. Upon my return from Japan, it would be just enough to cover the first month’s rent and a cleaning deposit for the apartment- that-did-not-yet- exist.  At that time being able to stay with my grandparents was a life saver, financially.  By the end of that summer, I would discover that my short stay with them was more significantly, a life shaper.
            I came to and from work, flashing my Student Fast Pass on the 5 McAllister, transferring at 25th Avenue to the #28 to the university and back.  In the evenings, together with Grandpa, Grandma, and the Uncles, the five of us ate Filipino meals of pinacbet and steak; milkfish and cauliflower; higado; salmon heads and spinach, with lots of hot rice. They gifted me with comfort in my belly and fed culture to my spirit.   From our mealtimes together, I inherited a sense of belonging.
            On Sunday mornings, Grandma and I walked the four blocks uphill to St. Thomas the Apostle church for 9:00 a.m. mass. We took a zigzag route, traversing her section of the Richmond district, heading up 35th Avenue from her bright orange Victorian with chocolate brown trim.
            “Is my house pretty?”
            She asked me this each time walked down the stairs. Each time, arm-in-arm, we would turn and look up at the house.  “What do you think of the color, Lisa-Tita?”
            “Maybe go with a little lighter color next time, Grandma- how about a warm butter yellow, with burnt orange trim?”
            She would squeeze my arm and say, “My house is pretty, don’t you think?”
            “Yes, Grandma, it’s really a beautiful house.”
            “Really?”
            “Yes, really, Grandma,” putting my hand over hers.
            From her, I learned about hard earned privilege to own a home. She and Grandpa had paid cash for it.  I learned about the discipline of saving up money from their restaurant which my grandfather had claimed its name was Malacañang Palace after the Presidential palace in Manila, Philippines, but photos of the storefront revealed otherwise. In reality, their restaurant was simply named 1550 Geary.   I realized their perseverance, working and saving money during an era when it wasn’t easy for first generation Filipinos to earn enough money to buy a home.  But in 1953, they had saved enough money to pay cash for the house. During this one conversation with Grandma as we stood looking at the house, I was allowed to see that her house, bright orange with chocolate brown trim, was indeed beautiful beyond dispute.
            “O-kay, let’s go to church now,” she’d smile, satisfied.
            Turning left on Cabrillo, we walked two blocks to 37th, turned right, walking past Mrs. Demando’s house.  “I think she’s home.  We’ll go there after church and look at her garden,” Grandma said each Sunday.  But while we strolled the garden, what my grandmother really wanted to do was to show off her granddaughter-in-college.  Though I cannot speak Ilocano dialect, I could always feel the pride in her words that I could understand, “Maestra ni Lisa idiay university.” (“Lisa is a teacher at the university”).
            Grandma liked to sit near the back of St. Thomas the Apostle Catholic Church - on the left side, next to the heater.  The constant hissing from the pipes reminded me how hot it was in the pews on this side.  By the middle of the sermon, I’d be fanning myself with whatever misalette booklet I could find, to keep from fainting.  I felt even hotter looking sideways at my grandma, who always wore a wool coat, scarf around her neck, and a bandana around her head.      When the baskets made their way down the aisle, she would carefully fold four dollar bills – one from each of the uncles, and one from her and Grandpa, slide them into a colored collection envelope, neatly lick it shut, and then hand it to me.
            “Drop it there in the basket when it comes down the row,” she’d whisper, pointing toward it with her lips.
            After church, Grandma and I took the 38 Geary to Cala Foods to buy groceries.  When we returned home, she would write her long division calculation directly on the receipt, dividing the cost four ways. My grandparents and two unmarried great-uncles lived as housemates.   When it came to day-to-day expenses, each contributed equally to the household. Sliding the receipt showing her long division calculations across the beige Formica table, she’d say to the uncles,
“Here’s the bill for the groceries.  $15.74 divided by 4.  Your share is $3.93.”  
Uncle Anong would take the red Folger’s coffee can from on top of the refrigerator and bring it to the table. Grandma would drop in her and Grandpa’s share, $7.86 exactly.  Grandma carried a wallet but that wasn’t where she kept all her money.  A recycled postal envelope placed in a secret pocket inside her purse hid the paper money. Each of the uncles would add their money to the can, taking out the exact change as needed.  The balancing of the household expenses and responsibilities was a ritual.  Witnessing their daily ritual with money, I eventually inherited mindfulness about the value of hard-earned rewards of work.
            The time came for me to leave for Japan. With my last paycheck, I converted $500 into Traveler’s checks, took $100 in cash for transportation to the airport, packed it deep into my backpack with my passport, the round trip plane ticket from my scholarship sponsor, and my study itinerary. The next morning, as I brought the suitcase down from my room, and threw the backpack over my shoulder, Grandpa, Grandma, Uncle Anong, and Uncle Pepe walked me to the door.  Grandpa put one hand on my arm, and held out a letter-sized envelope with the other.
             “Here, Lisa. Something from all of us- your grandma, me, Uncle Pepe, and Uncle Anong.   During your studies in Japan, make it nice!  We are proud of you!”  He tapped the side of my head, nodding his approval. Make It Nice.  He always said that to us grandkids whenever he wanted to encourage us to be our very best.
            Looking at their faces at the door, I suddenly felt apprehensive about leaving them for two months, and blurted out something silly like “Wait for me to come back and we’ll go grocery shopping together, okay?”
Grandpa’s answer provided reassurance. “Yes, it’s okay.  Go ahead now!”
He slid the envelope into my jacket pocket.
            The airport shuttle bus was crowded. I closed my eyes as we headed out on Fulton Street and through the Golden Gate Park to get to 19th Avenue.  When we got onto the freeway, I opened the envelope.  Inside was a stack of money.  Holding it within the folds of my jacket, I fingered through the bills, adding them up.  At first I was puzzled by the combination of bills and the random amount.
            $37.00.
            All at once I pictured the red Folger’s coffee can atop the refrigerator.  I imagined the four of them-Grandma, Grandpa, Uncle Pepe, and Uncle Anong- emptying out all the money and coins from the coffee can onto the table.  Money they had collected from putting in their share of the groceries; calculating what was still needed for household expenses; skimming some from what remained of the money;  adding in their pocket change; converting the coins nicely into paper money;  finally placing the resulting amount into an envelope.  For me.
            How deeply their gift symbolized their hard work, their high regard for Education-something that had not been so easy to complete for themselves. How profoundly their gift honored me, for their daily ritual with money and its value to their disciplined life, carried an Energy which has continued to sustain my principles. A simple white envelope, with dollars from my grandparents and great-uncles, each sheet of money stacked up creating the floor on which I could plant my own feet so firmly.   $37.00.  Agtawid.  An Inheritance.